As I belatedly updated my Mixcloud profile to steer folks here instead of the currently-hostless BeatConscious.org site, I was reminded of part of that original site content — the “Mix Manifesto” from back in the early 2000s. I’m reproducing it here since I think that, taken together with The Making of a Curator, it lays out most of what drives this music fascination of mine …
The Mix Manifesto
Well, initially, the idea for this page grew out of an online conversation I was having with a friend in Amsterdam … we share a lot of the same musical impulses and were talking about how we craft mixes … especially those intended to be heard on internet radio, not in a club or at a party.
So, I’m thinking back to a time … before TV and before recorded popular music started to be presented as albums of discrete songs … back to a time when concerts or programs of musical entertainment were attended and, by those who were well-disposed to the experience, were as closely attended (that is to say, focused upon) as a film might be for those of us in modern audiences.
It’s not done that way, now, of course — and even if it were, an audience likely to attend closely to such a program is no longer much in evidence … the listening habits of the audience have fundamentally changed … you may want to thank the TV’s remote control for a lot of that change [or, by now, it may be that brains molded by the speed of online life have evolved away from that capacity].
Nonetheless, the mixes I do are intended as programs … certainly, they aren’t meant to mimic a dance floor experience … they are distinctly radio programs which have a narrative flow and an emotional arc … some are a bit more light-hearted than others, but they are essentially programs which hope to merit your attention.
(Actually, there are groups of people who have the opportunity to listen to a program all the way through and give it their attention … long-distance drivers, people who work at a desk for long stretches without telephone interruptions, such as coders and graphic artists; people who work in kitchens or darkroom lab technicians … I relate to this type of worker, because I have actually done all these sorts of jobs, and music was always great company for me.)
I believe you don’t need to know this to enjoy the selecting you will hear on BeatConscious … I believe in the tracks I choose, that they are worth hearing, that they (or many of them) will move you and please you, regardless of what you think about my conceptual approach to mixing … regardless of whether you even know about it.
Associated Topic: Your musical preferences
As I’ve pointed out from time to time, for most everybody in the world, music appreciation more or less hangs at the playlist you had between the ages of 13 and 20 … puberty, y’know: Your first big romance and all the other high-intensity social stuff that makes you the adult you come to be. Your soundtrack is the soundtrack of the most emotionally-important years of your life and once it’s locked in place, and you go on to earning a living and raising a family, there’s really not much new that gets added to that playlist … things in the culture drift in and out of focus, but when you listen to music on the office computer while you work or in the den at home while you’re relaxing, it’s probably a CD from back in the day, or the ‘greatest hits’ playlist you made for your iPod.
But if you’re in the music game — an artist, a producer, a DJ or a club owner — music means something different to you, something you never stop discovering … and your playlist keeps expanding in a way that seems to defy personal metaphysics (how can there be a list of 1,000 Top Ten Tunes?) and yet is deeply satisfying … the way moving water is far more intriguing than a still pond.
I’m one of those for whom the world of music offers the opportunity for constant discovery … and this activity shares time and energy with the BeatConscious mission to keep all the most excellent songs in circulation … please me and I will work to ensure your immortality — it’s one way I can show my gratitude.